Table Of Content
- Michael Patrick Thornton
- Review: Laurie Metcalf in ‘Doll’s House, Part 2’: An acting marvel in one of the year’s best plays
- Zendaya’s tennis drama ‘Challengers’ tops box office
- Awards
- ‘A Doll’s House’ Review: Jessica Chastain Shines in a Broadway Staging That Brings Sparkling Clarity to a Classic
- A Doll's House on Broadway Starring Jessica Chastain Tickets
Her face is its own fascinating, spinning stage of emotions—upset, mischief, goading, vanity, boastfulness, pride—and for most of the play you do you doubt that she is across everything. When Krogstad threatens her (Onaodowan cleverly balances a terse malevolence with an understandable desperation of his own), she says to him, “That you would take my secret, which I’m so proud of, and tell him in such an ugly, nasty way—that he would hear it from you. That would be...just incredibly...unpleasant.” That last word is said not with fear, but clipped condescension. Nora frets over the tightening of these screws, with only the help of an old friend Kristine (Jesmille Darbouze), who handily, or not, was once romantically involved with Krogstad.
Michael Patrick Thornton
Best Theater of 2023 - The New York Times
Best Theater of 2023.
Posted: Mon, 04 Dec 2023 08:00:00 GMT [source]
This critic will only say Lloyd’s clever inversion of this legendary stage moment is not only perfect for this A Doll’s House, but a visually stunning, surprising way to end any Broadway show. How appropriate it’s Chastain piloting it—a quintessentially Hollywood ending to a stellar performance. And wow, the final seconds of A Doll’s House conveying Nora’s liberation are stunningly realized—in theatrical terms epic, while also silently, fabulously melodramatic. Kieler never forgave Ibsen for using her life as fodder for his controversial drama and her later works occasionally continued to reference their fraught history. In 1890, Kieler debuted a play Mænd af Ære at the Casino Theater in Copenhagen. The work centered on the plight of a woman who finds herself exploited by a husband who uses her personal struggles as fodder for his writings.
Review: Laurie Metcalf in ‘Doll’s House, Part 2’: An acting marvel in one of the year’s best plays
Metcalf’s glamorously dressed Nora wears her foibles on her expensive sleeve, but she brings deep emotion to the scene in which Nora describes the torture she went through in severing ties with her children. The final moments between Nora and Torvald may not realize the full pathos that was achieved at South Coast Rep, but Metcalf’s portrayal elucidates the central insight of Hnath’s play — that Nora as a character will always be defined by her never-to-be-completed emancipatory quest. The laughter subsides as the play progresses through a series of gripping duologues that bring to light both the validity and insufficiency of each character’s perspective.
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“There are times I go out there and I’m like, trying to hold it together. And I’m still feeling like the play course through my veins,” she said. Coming from the actor who has played televangelist Tammy Faye Bakker and country singer Tammy Wynette, that’s saying a lot.
Awards
Jessica Chastain also received the Distinguished Performance Award at the Drama League Awards, along with Arian Moayed. Jamie Lloyd won Outstanding Direction of a Play, and the show itself won Outstanding Revival of a Play at the Drama League Awards. Additionally, Jessica Chastain was recognized as Outstanding Lead Performer in a Broadway Play at the Outer Critics Circle Awards.
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Experience Ibsen's timeless feminist tale anew by getting tickets to A Doll’s House on Broadway. A Doll’s House is by Henrik Ibsen, a Norwegian playwright and poet who is widely considered one of the fathers of modern theatre. A Doll’s House is arguably his best-known play, but his other famous works include Hedda Gabler, Ghosts, An Enemy of the People, and The Wild Duck. Ibsen is the most frequently performed playwright in the world after Shakespeare. A Doll’s House was written by Henrik Ibsen in 1879, and it premiered in Denmark in December of that year.
Hudson Theatre
Afterward, A Doll’s House plays Tuesday through Sunday, with two performances on Wednesdays and Saturdays and no performances on Mondays. For an up-to-date weekly performance schedule, visit the A Doll’s House page. Recent tenants include Plaza Suite, starring Sarah Jessica Parker and Matthew Broderick, and Death of a Salesman, starring Wendell Pierce and Sharon D Clarke. The Olivier Award-winning revival of “Cabaret,” starring a physically precise and theatrically audacious Eddie Redmayne, comes to Broadway but misses his London co-star, Jesse Buckley. This common story is communicated in a dance vocabulary of determined strides overcoming invisible burdens.
The show did not premiere on Broadway, however, until 10 years later, in December of 1889. Here is a short history of A Doll’s House's early development and key milestones in the years since. Whether the piece — I hesitate to call this delicate hybrid a show — is more dance than musical is not all that important. Let the theater award categories stretch to accommodate new forms and visions. The production, which was at the Park Avenue Armory earlier this season, has arrived at the St. James Theatre in the role of deus ex machina, rescuing Broadway from its hidebound habits. To indulge in some gender stereotyping for a moment, what it means to be a hero is often very different for men and women.
A Doll's House on Broadway Starring Jessica Chastain Tickets
This stylistic trickiness is seductive at the start, but its obsessive negation of any conventions begins to annoy; thankfully the excellent actors do not. The reception of A Doll's House earned Ibsen international fame and adoration, cementing his status as one of the great dramatists of history. Though his motives for creating the work remain unclear, Ibsen fiercely protected the piece and its characterization of Nora. Despite granting his consent to the edit, Ibsen vocally opposed the change calling it a "barbaric outrage." Premiering in 1879, A Doll's House thrust drama firmly into the modern age, shocking audiences and ushering the theatre into a brand-new era. Nearly a century-and-a-half later, Ibsen's examination of gendered oppression, marital dynamics, and the moral grey areas of deceit remains as relevant as ever.
The trauma of these events caused Kieler to suffer a nervous breakdown. Ragtime (Broadway revival), Candide (NYCO), The Butcher Boy (Irish Rep), The Sound of Music (tour directed by Jack O'Brien), Radio City, and a number of regional credits. Carey is a former employee of and continues to work closely with the non-profit The Coalition to Abolish Slavery and Trafficking. This strictly limited 16-week engagement will play Broadway's Hudson Theatre with preview performances beginning Monday, February 13, 2023 ahead of a Thursday, March 9, 2023 opening night. To make matters even clearer, Chastain and Thornton seem to modulate their voices – deeply sonorous and mesmerizingly languid – to match the other, their heartfelt conversations taking on a nearly narcotic tone of tranquil intimacy. Their bond, as Ibsen, Herzog and Lloyd want us to know, is just another missed opportunity at an honest life, another path that could have been taken but wasn’t.
Conceding defeat to time’s bygone chances requires the strength to slam more than a door or two, even when the slamming makes no sound louder than an audience’s startled gasp. For starters, she has a secret that, if known, could destroy Torvald’s fledgling career and the outwardly happy family life (the Helmers have two small children that are heard but not seen in this production). Nora’s initial willingness to stay just where her husband wants her is crucial to the development of the plot, and Chastain plays it beautifully, her expressions and inflections giving just the barest hints of a deep dissatisfaction. As the stage’s circular center slowly revolves, an expressionless, seated Chastain is carried right along with it, her Nora on display from every angle, a manifestation of the metaphorical pedestal on which the character is so famously trapped.
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